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A 6th-century or early 7th-century commentary on Donatus, Ars minor, ascribed to one Asperus/Asperius or Asporius, who may have been an Irishman. It represents a Christianised reworking of the material.
Latin grammatical compilation thought to have been produced at an Irish or insular centre. It follows the model of Donatus' grammars and draws extensively on classical and Christian writings. No complete copy of the text survives. The extant sections are headed De partibus orationis, De nomine and De pronomine.
Early medieval lemmatised commentary on books I and III of Donatus’ Ars maior. The work is similar to the Ars Laureshamensis and the grammatical treatises of Murethach and Sedulius Scottus.
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Latin treatise on grammar and written on the continent by an anonymous Irishman known in modern scholarship as Donatus ortigraphus (DO). The work is conceived as a dialogue between teacher and student, and the structure adopted for the treatment of its subjects is indebted to Donatus.
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Latin grammar (ars grammatica) once attributed to the Irish peregrinus and teacher Clemens Scottus but now regarded as an anonymous work.
Anonymous commentary on Donatus, Ars maior, written at Lorsch, perhaps by an Irish or insular grammarian and based on a lost source of Irish origin. It covers all three parts (1, 3 and 2).
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Short Latin treatise on the grammar of metre, attributed to and presumably written by an Irish scholar named Cruindmelus, which likely represents the Irish name Cruindmáel. It has been dated to the first half of the 9th century.
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Grammatical work written by Virgilius Maro Grammaticus.
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Grammatical work written by Virgilius Maro Grammaticus.
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Anonymous commentary on Donatus’ Ars maior. It is thought to have been written by an insular perhaps Irish author and addressed to one Cuimnanus, whose name may be, like Cummianus, a Latinised version of the Irish personal name Cummíne.
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A group of vernacular Welsh bardic grammars whose production spans a long line of transmission, revision and adaptation. The earliest two recensions, from the 14th century and onwards, are associated with or attributed to Einion Offeiriad (fl. 13th century) and Dafydd Ddu (fl. 14th century). Later, more elaborate adaptations were produced by Gutun Owain and Simwnt Fychan. While influenced by the Latin grammatical tradition based on the likes of Donatus and Priscian, the grammars sought to apply concepts about the grammatical features of the vernacular to Welsh bardic poetry.
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The hypothetical Irish commentary on Donatus’ Ars maior which according to Louis Holtz, underlies three extant Hiberno-Latin commentaries produced on the continent in the ninth century: those by Sedulius Scottus and Muiredach and the anonymous Ars Laureshamensis. The suggested scenario is that the work originated at home in Ireland and was brought to the continent by Irish peregrini.
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Commentary on Donatus, Ars maior, written c.840 by Muiredach (Muridac).
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