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Ailill mac Máta

  • Ráith Crúachain
king of Connacht, husband of Medb of Connacht
See also: Medb CrúachnaMedb Crúachna
Entry reserved for but not yet available from the subject index.

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Fergus mac RóichFergus mac Róich
(time-frame ass. with Ulster Cycle)
warrior in tales of the Ulster Cycle; former king of Ulster in exile in Connacht; Medb’s lover
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Findabair [daughter of Medb and Ailill]Findabair, Finnabair
(time-frame ass. with Ulster Cycle)
daughter of Medb and Ailill in the Ulster Cycle
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The seven MainesThe seven Maines
seven Maines, The
(time-frame ass. with Ulster Cycle, Conaire Mór, Conchobar mac Nessa)
In the Ulster Cycle, the seven Maines (na secht Maine) are a collective designation for the seven, or eight, sons of Medb and Ailill, all of whom are named Maine: Maine Máithremail and Maine Aithremail, Maine Míngor and Maine Mórgor, Maine Andóe, Maine Milscothach and/or Maine Mó Epert, and Maine Conda(s)gaib/Cotagaib Uile.
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Medb ChrúachnaMedb of Crúachan
Medb of Crúachan;Medb Crúachna;Medb of Connacht
(time-frame ass. with Ulster Cycle)
Queen of the Connachta, co-ruler with her husband Ailill mac Máta, in the Ulster Cycle. She is said to have a daughter, Findabair, and seven sons known as the seven Maines. Her lover is Fergus mac Róich.
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See also references for related subjects.
Edel, Doris, Inside the Táin: exploring Cú Chulainn, Fergus, Ailill, and Medb, Berlin: curach bhán, 2015. xii + 372 pp.  
abstract:
This is the first literary-critical study of the Táin Bó Cúailnge in its entirety, and as an autonomous literary work. The key to a more deeply probing understanding of the semiliterate epic is the study of its characters: what they do and why they do it – why more important than what. Why reveals the differences between the various versions. Most promising is the multilayered Recension I, mainly preserved in Lebor na hUidre, which testifies of the keen interest of its compilers in the portrayal of the characters, while the version in the Book of Leinster, with its tendency to omit what might lessen the heroes’ prestige, pays for its greater unity with loss of depth. The multifacetedness of the characters in the early version, combined with the deceptive simplicity of the plot, lends the work a remarkable pragmatism. Despite occasional baroque descriptions of battle frenzy, the main heroes Cú Chulainn and Fergus embody a heroism reined in by prudence. All through the war they do everything in their power to limit the use of force. Ailill and Medb represent a new type of ruler-entrepreneur, who seeks to realize his aim at the lowest possible cost and accepts failure matter-of-factly. So the epic has no fatal end-point. The greater part of the two armies are able return to their countries. The theme of mutual destruction is relegated to the Battle of the Bulls. The lasting antagonism between the North and the remainder of the island must have endowed the Táin with contemporary significance at various points in time, as the allusions to (near-)contemporary events suggest.
(source: publisher)
Ó Cathasaigh, Tomás, “Ailill and Medb: a marriage of equals”, in: Ruairí Ó hUiginn, and Brian Ó Catháin (eds), Ulidia 2: proceedings of the Second International Conference on the Ulster Cycle of Tales, Maynooth 24-27 July 2005, Maynooth: An Sagart, 2009. 46–53.