Bibliography

Rhiannon
Ifans
s. xx–xxi

7 publications between 1997 and 2012 indexed
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Works authored

Ifans, Rhiannon, Cywyddau ymryson Syr Dafydd Trefor, Cyfres beirdd yr uchelwyr, 38, Aberystwyth: Centre for Advanced Welsh and Celtic Studies, University of Wales, 2012.  
abstract:
This volume presents the cywyddau of five poetic debates that developed between Sir Dafydd Trefor and four other poets, together with an elegy to him by Ieuan ap Madog ap Dafydd. The first dispute was triggered by a poem asking for goats, and the second by a poem requesting a swan. The starting point for the third debate was a poem praising the Anglesey ferry, a poem that elicited a scathing response on the nature of the ministry. Another debate has as its topic the erroneous satirizing of a knight: the honour of Sir Wiliam Gruffudd of Penrhyn is in the balance because Ieuan Delynor mocked him for cavorting with a girl named Gwenonwy. As a result, a debate ensued on the status of three poets who used to visit Penrhyn as part of their bardic circuits. The volume ends with an elegy to Sir Dafydd Trefor. The poet died from the effects of the Black Death, and information is disclosed here about the methods of burial in the Middle Ages. These poems combine humour and solemnity, and they provide a glimpse of the colourful life of a cleric and his friends in the late fifteenth and early sixteenth centuries.
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abstract:
This volume presents the cywyddau of five poetic debates that developed between Sir Dafydd Trefor and four other poets, together with an elegy to him by Ieuan ap Madog ap Dafydd. The first dispute was triggered by a poem asking for goats, and the second by a poem requesting a swan. The starting point for the third debate was a poem praising the Anglesey ferry, a poem that elicited a scathing response on the nature of the ministry. Another debate has as its topic the erroneous satirizing of a knight: the honour of Sir Wiliam Gruffudd of Penrhyn is in the balance because Ieuan Delynor mocked him for cavorting with a girl named Gwenonwy. As a result, a debate ensued on the status of three poets who used to visit Penrhyn as part of their bardic circuits. The volume ends with an elegy to Sir Dafydd Trefor. The poet died from the effects of the Black Death, and information is disclosed here about the methods of burial in the Middle Ages. These poems combine humour and solemnity, and they provide a glimpse of the colourful life of a cleric and his friends in the late fifteenth and early sixteenth centuries.
Ifans, Rhiannon, Gwaith Syr Dafydd Trefor, Cyfres beirdd yr uchelwyr, 30, Aberystwyth: Centre for Advanced Welsh and Celtic Studies, University of Wales, 2005.
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Ifans, Rhiannon, Gwaith Gruffudd Llwyd a’r Llygliwiaid eraill, Cyfres beirdd yr uchelwyr, 15, Aberystwyth: Centre for Advanced Welsh and Celtic Studies, University of Wales, 2000.
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Ifans, Rhiannon, Gwaith Gronw Gyriog, Iorwerth ab y Cyriog, Mab Clochyddyn, Gruffudd ap Tudur Goch ac Ithel Ddu, Cyfres beirdd yr uchelwyr, 8, Aberystwyth: Centre for Advanced Welsh and Celtic Studies, University of Wales, 1997.
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Gruffydd, R. Geraint, and Rhiannon Ifans, Gwaith Einion Offeiriad a Dafydd Ddu o Hiraddug, Cyfres beirdd yr uchelwyr, 9, Aberystwyth: Centre for Advanced Welsh and Celtic Studies, University of Wales, 1997.  
abstract:

This volume seeks to present the poetic output of two men of letters whose names are connected with the manual known as ‘the bardic grammar’, namely Einion Offeiriad who is chiefly remembered as the author of the first version of the grammar composed c.1320–5, and Dafydd Ddu of Hiraddug who produced an edited version shortly afterwards. Only one poem is certainly attributed to Einion, a long and intricate awdl in praise of Sir Rhys ap Gruffudd and probably composed at about the same time as the grammar. It is a remarkable poem, which includes all twelve of the awdl metres described by Einion in his grammar, as well as three englynion unodl union.

Four poems attributed to Dafydd Ddu of Hiraddug have been preserved, including two religious and didactic cywyddau, the one outlining the History of Salvation, the other setting out the Ten Commandments. Dafydd Ddu may have been Chancellor of St Asaph’s Cathedral, and therefore responsible for the cathedral school: these two poems would fit in well with such a function. The third poem, an awdl, is an extended meditation on the transitoriness of human glory, the pitiable condition of the body in the grave, and the threat of a yet more severe judgement to come – themes which reappear in the fifteenth century particularly in the work of Siôn Cent. The fourth poem is a love englyn of very different thrust in praise of a well-born, but unnamed, girl.

The volume also includes all the verses quoted as metrical examples in the various versions of the grammar, most of which are anonymous, but some of which were almost certainly composed by either Einion Offeiriad or Dafydd Ddu.

 : <link>
abstract:

This volume seeks to present the poetic output of two men of letters whose names are connected with the manual known as ‘the bardic grammar’, namely Einion Offeiriad who is chiefly remembered as the author of the first version of the grammar composed c.1320–5, and Dafydd Ddu of Hiraddug who produced an edited version shortly afterwards. Only one poem is certainly attributed to Einion, a long and intricate awdl in praise of Sir Rhys ap Gruffudd and probably composed at about the same time as the grammar. It is a remarkable poem, which includes all twelve of the awdl metres described by Einion in his grammar, as well as three englynion unodl union.

Four poems attributed to Dafydd Ddu of Hiraddug have been preserved, including two religious and didactic cywyddau, the one outlining the History of Salvation, the other setting out the Ten Commandments. Dafydd Ddu may have been Chancellor of St Asaph’s Cathedral, and therefore responsible for the cathedral school: these two poems would fit in well with such a function. The third poem, an awdl, is an extended meditation on the transitoriness of human glory, the pitiable condition of the body in the grave, and the threat of a yet more severe judgement to come – themes which reappear in the fifteenth century particularly in the work of Siôn Cent. The fourth poem is a love englyn of very different thrust in praise of a well-born, but unnamed, girl.

The volume also includes all the verses quoted as metrical examples in the various versions of the grammar, most of which are anonymous, but some of which were almost certainly composed by either Einion Offeiriad or Dafydd Ddu.


Contributions to journals

Ifans, Rhiannon, “Beriah Gwynfe Evans: mab y dyn od”, Llên Cymru 25 (2002): 74–93.

Contributions to edited collections or authored works

Rhiannon Ifans, “Canu gwasael”, in: John T. Koch (ed.), Celtic culture: a historical encyclopedia (2006): 339–341.